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亲爱的天狐大人  

别名: 亲爱的天狐大人

剧情介绍

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  • 2012 1.0

    高海拔之恋Ⅱ

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  • 1967 4.0

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  • 2019 10.0

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  • 2020 7.0

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  • 1948 7.0

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    Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

  • 2014 6.0

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  • 2008 2.0

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    相关问答🤡 👻 💀

    1、问:《 亲爱的天狐大人》 🤡 👻 💀什么时候上映时间?

    答:这部影片的上映时间是2022

    2、问:《 亲爱的天狐大人》 国产剧在哪个电视台播出?

    答:《 亲爱的天狐大人》 目前只有在腾讯视频、爱奇艺、优酷、狠狠影院频道等线上播出。还没有在其他影视频道上推出。

    3、问:国产剧《亲爱的天狐大人》 演员表

    答: 亲爱的天狐大人🤡 👻 💀是由刘国辉,李遥波执导,王佑硕,吕小雨,杨霖,孙珍妮,周兆渊,李奕臻,王子甲,吴哲晗,熊艺文,何奕辰,湛展,卢天惠,陆叶卉,刘峰磊,刘祉驿,郑国霖,谭凯,陈凯,韩炎达领衔主演。国产剧 。该剧于2022在腾讯爱奇艺狠狠影院优酷、等平台同步播出。

    4、问:哪个平台可以免费看《亲爱的天狐大人》全集

    答:狠狠影院免vip在线观看地址: http://hmhtwj.com/videos/9454.html

    5、问:手机版免费在线点播《 亲爱的天狐大人》😈 🤩 有哪些网站?

    答:hao123影视百度视频手机版狠狠影院PPTV电影天堂

    6、问:《 亲爱的天狐大人》评价😈 🤩 怎么样?

    Mtime时光网网友评价:我一直认为所谓的电影要比小说更生动,基于虚拟和幻想,但实际上它们都是现实的虚幻影子

    丢豆网网友评论:刘国辉,李遥波 导演的作品有欢笑、泪水、喜悦和悲伤...,虚拟世界中的感情是丰富多彩的,不同于我们在现实中不开心的时候一直玩的感觉。当我们看完它,我们会感到更舒服。

    豆瓣电影网友:《 亲爱的天狐大人》与其他作品不同,没有紧迫感、虚浮的情节和凌乱的画面不断地教导我们,不像老师和家长的教导(为了遵守这里,我省略了冗长的词)。当我们看电影、电视剧或综艺节目时,我们经常融入其中,无意识地理解这些似乎不容易被我们发现和理解的真相。此外,当你看视频时,你会发现这是现实中更贴近教学的教学!

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