久违的吃货五郎又回来了！个体杂货商店的老板井之头五郎（松重丰YutakaMatsushige饰）将在这个夏天不仅继续为千奇百怪的客人搜寻各种稀奇古怪的玩意儿，更将在工作间隙再次带领大家深入日本的大街小巷饱尝各色令人垂涎欲滴的美食。从重磅出击的奶油水果三明治早餐，到浓郁醇香的黑咖啡，到油光锃亮的鳗鱼配上晶莹剔透的米饭，再到百吃不厌的中华料理，五郎虽然还是一个人吃饭，可是却将那种一个人的忘我和悠然发挥得更加淋漓尽致。大快朵颐后的满足不禁不断让人感受到生活中简单的美好，更让我们看到其实并不“孤独”的民间美食家井之头五郎。本片是根据由久住昌之创作，谷口二郎绘画的同名漫画改编的第三季电视剧。本季延续了前两季的纪录片风格，同时在每集结束仍有原作者实地探访片中店铺的片段，让观众得以更加深入片中料理背后的故事。
「闇金ウシジマくん外伝闇金サイハラさん」では、非合法な金貸しとして生きる彼女がヤクザたちにつけこまれ、理不尽な要求を受けながらも裏社会で生きていくさまが描かれる。
过目不忘的高俊与特异功能的好友周星星，将异能用在赌博上，误打误撞下结识了南中国雀神达叔。二人得达叔指教赌术，横扫地下赌场。二人后来参加赌王大赛，并杀入决赛，但有人暗中捉走俊的嫲嫲作要胁，令这场世纪之战峰迥路转……
《列神记2》讲述的是被勾魂索镇压了一万年的无极邪尊冲破镇压为祸人间，唯有化灵投生人间的太极阴阳可以降服他。落魄赶考的白面书生谢必安与不得志的黑脸捕快范无救误打误撞发现无极客栈背后的玄机，两人阴差阳错卷入一场人魔大战中，从此两人的命运被改写…….
电影讲述了历史学家、小说家以及英国情报特工格特鲁德•贝尔(GertrudeBell,1868-1926)的故事，上世纪20年代贝尔对建立中东新政治秩序起到了重要作用。贝尔少女时代便饱受教育，因此在英国本土难以找到合适的对象，她便前往德黑兰。在伊朗她与赌瘾成性的外交官亨利•卡多根(HenryCadogan)陷入爱河但发展并不顺利，于是贝尔决定放弃自己的个人生活，投身勘探周边地区的事业中。奥斯曼帝国覆灭之前，贝尔在中东地区学习语言，翻译文学作品，在开罗、巴士拉和巴格达等地与穆斯林高官碰面，由于自身的勇气的尊敬的表现，贝尔赢得了领导人们的信任。似乎注定要成为大英帝国和中东国家之间的桥梁，贝尔在一战后便参与划定了中东地区各国界线。而此时，爱情再度走进她的生命。沃纳•赫尔佐格(WernerHerzog)以广阔的沙漠为背景，讲述了这位“沙漠女王”的传奇史诗。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
一次机缘巧合之中，正在为白血病弟弟筹集医药费的贾甜甜与正被母亲逼迫联姻的富二代元邵相遇，两人从开始的契约关系到最后互相钦慕的爱情故事。 贾甜甜假扮元邵女朋友搪塞母亲，事成之后元邵付给贾甜甜30万酬劳。而贾甜甜的到来遭到了元邵母亲芳倩的极力反对，甚至将元邵的联姻对象边潇潇一起叫来对付贾甜甜。面对家人的阻扰，元邵极力维护贾甜甜，在相处过程中感情升温。元邵的二叔元晔想要夺取元氏集团的股份，绑架了元邵和贾甜甜，但是正巧被贾甜甜的父亲遇见，并解救了他们，元邵贾甜甜及时出现识破了元晔的阴谋。最终坏人伏法，元邵帮助贾甜甜弟弟治好疾病，两人相知相恋，经过重重阻挠幸福地生活在一起。
2016年最新韩国限制级剧情电影
故事发生在美国联邦调查局失踪人口小组之中，这个小组因其独特的办案风格而受到了众人的瞩目。每当案件发生，组员们首先要做的事情并非加大寻找力度，而是通过搜寻重重线索分析失踪者的生活环境与行为习惯，以此还原出其失踪当时的生活轨迹。 成熟稳重，充满了领导力的杰克（安东尼·拉帕格利亚 Anthony LaPaglia 饰）是小组中的领头羊，在他的手下，活跃着一批极为出色的调查人员。萨曼莎（派琵·蒙格玛丽 Poppy Montgomery 饰）在拥有靓丽外表的同时亦有一颗能够吃苦耐劳的坚强内心，薇薇安（玛丽安·吉恩·巴普 Marianne Jean-Bapt. 饰）凭借其出色的观察力成为了组里不可或缺的强大力量，此外还有丹尼（恩里克·穆西安诺 Enrique Murciano 饰）和马丁（艾瑞克·克罗斯 Eric Close 饰）等人，在解决了一宗又一宗曲折离奇...